May 17, 2018
So many songwriters and composers are focused on the sync fees and forget about how lucrative backend royalties can be.
I recently interviewed Darren Fung, a successful TV & film composer, for our course ‘The Art of The Song Pitch’. Here is a short clip from the interview which is a bit of a shocker when you find out what you can potentially make on your backend royalties.
Hey! Give us a shout about anything really.
Our goal is for you to start getting your music into TV & film.
Thanks Chris every nugget counts
We want all those nuggets to add up to a chest of treasure in licensing for you guys.
Thanks Chris, good information to have.
Alan
You bet, Alan!
Wow!!! Thanks for the info.
You’re very welcome, Howard!
Thank you both very much for sharing! What do assistants generally do? Basically prepare parts and pound the notes into Sibelius/Finale?