Click the Button Below to Register to Attend the Sync Songwriter Music Supervisor Panel
Responses
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I have a huge catalog of original songs
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Then you are in the right place, Terri. Hope to see you at the panel.
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Hi Chris, would this include instrumental material?
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I hope to earn trust through the consistent high quality of my songs, and practicing the golden rule in my personal interactions.
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I trust you, Chris! Always enjoy your emails. Referred a fellow songwriter to you.
I am a former Board member of The Society of Composers & Lyricists, so I believe I can be trusted, too! I’ve had some placements, but sure could use more.
This looks exciting, so I’m signing up. Thanks!
Adryan-
Great to hear, Adryan, and thank you for the kind words. See you there!
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I think its a very difficult industry and I agree sitting in a library is like being a needle in a haystack . At the beginning of last year I was aware of your courses and wanted to save. Unfortunately I got offered sync but the film company passed on their taxes to their clients lol. Now im back to where I started from . I think if anyone can find away to afford your courses , I think you are the way To go .
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It is an extremely difficult (next to impossible) industry for an indie songwriter starting fresh. When you have a path to the right people in TV & film, that’s when the magic can happen!
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I’m just getting started I hope to earn a lot.
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You are starting where you should to make that happen, Ray. See you there!
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I am actually hoping to gain the trust in a supervisor for this is my first time trying to push my music . I’m excited about meeting you and other people that may be able to to get me to the next level without hurting me or my goals in music.
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You are in the right place then, Regina. See you at the panel!
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Dear Chris, I listened to your workshop a couple of winters ago. I have written a few songs but aside from recording them on my phone with just me playing guitar I never thought I could produce them to a level to which you indicated it needed to be in order to be considered credible by a producer for film or TV.
Recently, I made contact with an old friend from college. He’s a musician and writer too and I sent him a link on YouTube of one of my songs, “End of Tomorrow”. He uploaded it to his Suno account and produced what I think is a very finished sounding recording of my song.
I’m wondering if this is something you’d be interested in hearing?
I titled the song “End of Tomorrow” because I was watching MSNBC’s Stephanie Ruhle’s show which is the last live prime time show on their channel and her sign-off is “I’ll see you at the end of tomorrow”. I was struck by the fact that it sounded like a good song title. And, one of the main stories she featured that evening was about Ukraine and how many young wives of military aged men were moving to Poland to avoid the conflict as their husbands and lovers were heading to the front. I had the image of couples saying goodbye at the train station. That’s what the song is about.
I don’t want to waste your time but if you’d be interested in hearing this, let me know and I’ll send you an mp3.
Sincerely, -
I trust that you know more than I do.
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And I learn from those who know more than me. 🙂
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I am very interested in this event
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Great to hear, Randy. So many indie songwriters started there and ended up having hugely successful song placements in TV & film. See you there!
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I’m in several libraries. I always wondered who to get someone to use my music over others. Looking forward to hearing more.
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That is tough since you are up against many thousands or millions of tracks. It is literally like playing the lottery. I have found by far the best way to go is to connect with the music supervisors directly which I will be showing indie songwriters how to do at the Sync Songwriter Music Supervisor Panel on Jan 11th. Hope to see you there. It’s completely free and online.
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Would love to get the opportunity to link with the right people!
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So far, I haven’t had much luck getting placements for my music. However, I’ve been following your videos ever since I joined your list, and plan to attend any events and programs that you recommend/offer so that I can learn how to earn the trust of music supervisors, and learn how to provide value for each other.
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So, what I have to do about the event, if I got an email? I don’t see any links for register?
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It is, obviously, a very difficult world to crack into.
In November of 2025 I released two new, original holiday tunes and did a grass roots promo and publicity push through Tinderbox Music, to satisfying results (at the level it is).
I know that both of these songs are head and shoulders above the rest in the holiday music pantheon, and that they both could not be more ripe for multiple sync opportunities.
My problem is I DO NOT trust sync agents. The ones I have been in contact all demand ownership of copyrights and publishing. I am not an idiot. I understand that there is a price to pay, but I am not signing away my music and intellectual property to some greedy, asshole middle-man.
I also know they wouldn’t have reached out if they didn’t know these tunes are very legit and have very real potential. Again, I’m not an idiot!
So here is my problem: how do I get two bonafide holiday new classics to the ears of legit music supervisors without getting bent over by a used car salesman- sync agent- middle man? -
Very informative, interesting and very interested.
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I’m looking forward to learning a lot
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I’m finding it difficult to figure out how to get going with sync licensing, so many chancers, fraudsters and different platforms. I trust you know way more than I do so would love to learn more about it!
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I trust you. 😌 This’ll be my second year attending.
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You are absolutely right. Trust is an issue. After having a major stroke in 2022 my wife suggested I go back to writing music, even though I pretty much lost the use of my right hand. So playing the Piano and Guitar was pretty much out the window. I joined NSAI (Nashville Songwriters Association) and was told to submit a song for preview in my first meeting. After doing so, another member said she would love it if she could record the song I had written. I told her no as it was not fitting for her voice but I would write one for her. I did and I even pid for the studio time for her to record it as I was going to submit it for the next meeting. SHE IMMEDIATELY filed a copyright on it before I could. Claiming it as her own. So yes, I have trust issues. I’ve sued her but it’s still in the court system.
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Wow! That is highly unusual. In fact, in the 20 plus years I have been in the industry, I have never heard of someone doing something like that before. I guess it happens, but you don’t want to stop driving just because you had an accident. Hopefully you find a way to continue making music and put that behind you.
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I Will attend your event, looking forward to it.
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I vigorously anticipate being involved in this remarkable opportunity!
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We don’t live on desert islands. You have to trust someone.
I’m currently working on two (qty 2) LP album projects, plus one EP. Approximate mix is original works (70%) to covers (30%). I already have one album behind me with 16 originals/ 17 songs. At this point in my life, I do not want to sit around hope someone discovers what I believe includes a substantial amount of cinematic material worthy of film scores.
Ready for your help. We can skip the philosophy we all likely agree on. Let’s get started.
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Hi Chris.
Trust IS very important and works best in a two-party system. I have trusted many and only a few have reciprocated, but that’s the way it is in the music business.
I have been blessed with having placed fifteen songs in movies and/or TV, and performing original material in several TV shows, like Anthony Bourdain’s Parts Unknown. I am looking to work with one agency/library/person that I can trust COMPLETELY. I have a large catalog of ‘radio-ready’ songs and many, many more that need full production. Let’s trust each other and get some placements!! -
Chris,
Iv been jamming Music since I was a Young Man… I learned how to write Songs Record Music 🎵 🎶 Now I need to Be My own PR Guy and Manager!!! It’s A lot…
I was hoping you can Teach Me How to Book Live Performances So I can Get My Face n Name Around the World 🌍 -
I have never thought my poetry or songs would make it past online. I’ve entered contest. I was published in a book by a company that went bankrupt. I upload it to sites that claim it’s safe. Honestly, living in California everyone here expects a big break and many receive one by certain status. I came from a place where you had to be grounded in great talent to even be considered. Detroit, Mich. Things are different now. So my talent may be the best kept secret.
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Chris, Iam really looking forward to this event!
Resume:
USA Network – Fairly Legal
• Original song, “Yeah, Yeah, Whoo-hoo” was the song used as the theme of Season 1 , Ep 8
• Performed lead and background vocals and instrumentationRegal Theaters – Yeah, Yeah, Whoo-hoo
• Original song, “Yeah, Yeah, Whoo-hoo” was licensed for nationwide play in theaters
• Performed lead and background vocals and instrumentationNBC Television – Dick Clark’s American Bandstand 90’s Drama Series
• Composed, performed and recorded 5 songs for the TV show that emulated 60’s pop and rock artists
• Performed lead and background vocals and instrumentation
• Musical Director and Producer creditsBuild A Bear Workshops
• Composed, performed and recorded 5 songs for Build A Bear CD that played in their stores nationwide
• Performed lead and background vocalsABC Television (Touchstone Television) “Boy Meets World” Theme song
• Composed, performed and recorded song specifically for this prime-time television show
• Performed lead and background vocalsScreenland Pictures “All The Rage” Feature Film
• Composed, performed and recorded song, “Living On the Darkside” for this film starring Jeff Daniels, Joan Allen, Andre Braugher, Anna Paquin and Robert ForesterLions Gate Films “Beyond The Mat”
• Composed, performed and recorded song “Go Your Own Way” for this pro-wrestling film.
• Directed by Barry Blaustein
• Produced by Ron Howard and Gary BlausteinNBC Television “Cold Feet”
• Licensed original song “Pendulum Swing” for use in season premier -
Looking forward to your event!
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Thanks Chris, I am looking forward to this! See you then!
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Thanks so much for your message, Chris!
How can we sign up for ‘The Sync Songwriter Music Supervisor Panel’?
Very Respectfully,
Michael -
I just discovered that sync licensing was a thing about a year ago. As my health is often questionable at times, I have shifted my focus from trying to be an artist to the role of songwriter/producer with the hope of making residual income. Establishing one song in the right place would be life-changing.
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Happy new year Chris. Ive got some recordings with famous British music producer. Via the music gateway website. He’s put them on reverbnation. But it turned out to be an expensive hobby. Hopefully this is the year where I get my music. Monetised.
All the best. Peter -
I am unclear whether music supervisors are interested in “songs” (as in compositions) or whether they interested in recordings. I assume that it may be both. I also assume that they may want access to recordings without any vocals for many projects. What do they want to hear?
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Hi Chris. Thanks for this. I’ve been on your email list for a while, so it was nice to “see you.” I plan on attending your event on the 11th. I’ve had my music in many libraries over the years, none of which ever got me significant placements. I’ve even signed with some smaller boutique licensing companies and though they were excited to push my music, they never got me substantial placements either. I actually have a small handful of licensing/publishing contacts and reach out to them with new music anytime I have it. Though they’ve shared how much they like the music and how licensable they felt it is, it always seemed like timing wasn’t right for the themes and vibes of the songs. I’ve gone in and out of phases where I’ve pushed harder for licensing and have always found it a challenge to create results. I do feel it’s about building that trust, but it seems the biggest hurdle is really with music supervisors, etc. in the first place.
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Looking forward to the hookup and talking strategies with you.
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I don’t trust you, nor do I not trust you – I don’t know you! I guess that’s the point. I know there must be something in this for you, which of course, there should be if you help get people placed.
I’m definitely interested in what trust means to music supervisors. I’ve been writing and recording for my various projects for a long time, and definitely want to see if some of my music would be a fit for sync opportunities. I own all my songwriting, publishing (ASCAP) and sound recordings (I write, perform, record, engineer, etc.). The part I’m missing is the connections and understanding how it works.
I’m looking forward to the online session!
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Thank you for all the encouraging info you share, Chris. You have given me encouragement in putting my compositions out there, because I feel I can trust you. Hoping to join you at ‘The Sync Songwriter Music Supervisor Panel’ on Sunday, January 11th @ 10:00am Pacific Time.
Belle -
Most songwriters have to have integrity cause being a musician is like running into brick walls over & over no matter the quality of your work & supervisors no doubt have a Love of music so trust is built in! So many people want a piece of the action that can’t play a note or have anything to do with music which makes a battle that we shouldn’t be in! A fisherman catches fish, a musician captures Hearts!
I can see & hear that you have integrity & that means so much! -
Most songwriters have to have integrity cause being a musician is like running into brick walls over & over no matter the quality of your work & supervisors no doubt have a Love of music so trust is built in! So many people want a piece of the action that can’t play a note or have anything to do with music which makes a battle that we shouldn’t be in! A fisherman catches fish, a musician captures Hearts!
I can see & hear that you have integrity & that means so much! -
lol…I’ve been so concerned with if I can trust you, that I never thought music supervisors have to trust me. You captured my interest and my eyes are opened.
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This is my first and I looking forward to attending and learning from everyone attending. Thank you for hosting the event!
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Hey Chris, I hope all is good with you and yours. Happy New year to you and everyone else on here! I have previously been fortunate enough to make 6 figures many years doing sync in the recent past. Lately though, post- Covid, placements have been slowing dramatically. My goal is to get myself and my music back to that mountaintop. Certainly the biz has changed with all the new sync platforms that pay pennies on syncs that used to be thousands, AI, and the marked change in music styles that I see on ads, film, and TV. In my head I’m trying to re-formulate what worked in the past, as well as create a whole new plan to catch up to, and hopefully stay ahead of the trends. Thanks! Best of luck to everyone out there hustling their music!
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My music is instrumental, composed and recorded entirely to be targeted for sync placement. I have one album out 7 originals, 3 covers, through an independent label with connections to Sony and which distributes through Orchard. I have essentially another album and a half in the can of material that I consider even stronger. My style ranges from new age/cinematic to modern jazz to pop/rock among some other genres. I’m semi-retired from 33 years as a studio musician, the last half of which has been in the Nashville area. My problem is that I don’t have a clue what I’m doing regarding sync placements so I wouldn’t know where to begin in terms of formulating a plan. I look forward to gleaning some valuable knowledge.
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I’m starting to see known Nashville names who have been in the songwriting business for decades now offering courses and class for to help songwriters move forward. Of course this will cost you money. I don’t trust Nashville or anyone involved in the biz there as far as I can spit, having past experience with them.
Trust is earned, not given. -
Hi Chris,
You seem like someone I can trust. I feel I am pretty trustworthy too. I do have a couple of CD’s out but honestly I am just hoping, and winging it. I don’t know what to do next to get my songs heard so I need someone that I can trust yo help me along.
Thanks,
Mike Z. -
Hey Chris. Thank you for this video. This would be more of a long term goal for me. For someone that only has 3 demos currently, is it worth checking out or should I carve out time at a later date when I have closer to 10 or so? I have a demanding career and also launching a second business so I create music when I get free time and when I need to release emotions. I’m always game to learn a new skill and I have been curious about your course. I appreciate your expertise and time. Happy new year!
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Hi Chris,
I have lots of original songs.
I always give one chance to someone, even if I don’t know that person. Good things starts like this. If it’s another scam, I will know and will deal with it accordingly. -
I’m looking forward to this workshop. Will you be sending us a link to it?
Thanks!
Molly -
I look forward to learning more about what music supervisors are looking for from indie artists.
I’ve only recorded my piano compositions solo so far. Would you suggest this is enough or does it need vocals/lyrics and more instruments?Thanks!
How do we register for rhis event?
Thanks from Nova Scotia.
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I’ve created a lot of music over the years, played in bands, scored music for documentary films and dance performances but want to expand my network and reach more music supervisors. This event sounds great. How can I attend?
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Tell me when to sign up for this event. I’d love to check it out.
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Great to hear! Just keep an eye on your inbox.
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yes I trust you Chris, been following you for a while now and I know you are genuine.
My issue is I am in a different time zone (Sydney Australia) so I can’t watch this webinar live.
Will it be recorded so I can watch it afterwards?-
I think so. We’ll let you know if it is.
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Hi Chris,
Greetings from Cape Town!
This event sounds really interesting, even if it does only start at midnight our time…:-)
I’m tired of swimming upstream when it comes to people discovering my music, especially when the small number of people who do find it really seem to like it…makes me feel there’s a real lost opportunity here…
I’d so appreciate the opportunity to build trust with the people you believe can help me thrive.
Many thanks, Chris!
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